Beste Prijs Caravaggio’s Death of the Virgin – Pamela Askew

Caravaggio’s Roman altarpiece, Death of the Virgin , in the Louvre, is often considered shockingly realistic and radically secular in content. Pamela Askew reveals its imagery to be as rich in metaphor and allusion as it is salient in its dramatic immediacy. The painting, notorious for its rejection by the fathers of the church of the Discalced Carmelites in Rome, S. Maria della Scala, was nevertheless praised by Caravaggio’s contemporaries. Askew’s analysis of the interdependency of formal and iconograp…